Bits & Pieces |
Emulsion 1A Developing-Out Contact Printing Paper
This image will be a standard test for all the new emulsions I make. It is a 4x5 inch dry plate from the 1940s, and was sleeved with the thin test strip on the right, labeled simply 'Azo'. Beyond it being a single-weight paper and glossy, I don't know the type of Azo or the developer that was used. Still, I love the image and the fact that it comes with a 60-year old test strip to compare to. The strip on left is 'Emulsion 1A', coated on Fabriano HP, X-white, developed in 'Defender 55 Dwr' (here). Except for the color, the differences between the strips are almost entirely due to paper texture. '1A' may record more in the highlights and a bit less in the shadows than the Azo. Notes and conclusions here: |
Emulsion 1A Developing-Out Contact Printing Paper PART ONE: Preheat waterbath on a stirring hot plate1 to 60°C. (Water level at 2 inches.) Illustration Unless otherwise specified, solutions are assumed to be at room temperature. Chemicals and equipment not otherwise sourced can be purchased from Photographers’ Formulary2 or your neighborhood household goods/hardware store. Gelatin A:
Gelatin B: Same as A.
Salts:
Silver:
PART TWO: Preheat waterbath on stirring hot plate to 50°C. Remove one light-tight container from refrigerator. Place on a coffee mug heater, or similar (~60°C) for one hour. Go to red safelight.
Cool to coating temperature and coat paper as usual. here
1)http://secure.sciencecompany.com/Magnetic-Stirrer-with-Hotplate-P16025C700.aspx
2)http://www.photoformulary.com/DesktopDefault.aspx 3)http://www.naturalimport.com/masu_sea_salt 4) If you can’t buy Everclear or a similar brand in your state, you can substitute twice the amount of Absolut brand unflavored vodka. Subtract 5 ml water from Gelatin A. But, it is well worth the effort to find Everclear. http://www.winechateau.com/vsku1004371.html 5)http://secure.sciencecompany.com/Glass-Buret-Class-B-25ml-P6193.aspx 6)http://secure.sciencecompany.com/Lab-Support-Stand-P6241.aspx 7)http://secure.sciencecompany.com/Buret-Clamp-P6188.aspx 8)http://www.birddogdistributing.com/wide-angle-polka-lights-spacing-p-1092.html 9)http://www.danielsmith.com/Item--i-284-790-010 |
I will be using this step tablet and 40-year old printed circuit board registration target for all my subsequent tests. '1A', developed in 'Def55Dwr', gives twelve distinct density steps. A curve of this would have a sharp toe, a fairly steep mid-section and a shallow shoulder. This emulsion is at its best in the highlights. The image to the left of the tablet is a crop from the registration target : 1 mil to 8 mil black bars (1 mil = 1/1000 inch = 0.0254 mm). And, finally, the b&w base for a silvergum print (inkjet negative from digital camera file.) The emulsion did a beautiful job of preserving the subtle density differences in the fuschia flowers.
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Notes and Conclusions:
1) 10 drops glyoxal wasn't enough hardener for plain hypo fix. The print surface developed small bubbles before the end of a sufficient wash time. Changing to a two-bath fix before washing, making the second bath a hardening fixer, solved that problem. This is only a solution, though, if there is no plan to tone the prints. I'll put 15 drops glyoxal in '1B' (Note: See the next page. Adding more glyoxal did not change the bubbling problem.) 2) This make didn't employ a syringe and subsurface silver addition. There is very slight microscopic peppering, but not enough to support the assertion that subsurface addition is a necessary technique. 3) The untoned color of the emulsion is a lovely neutral without a hint of green, influenced, I believe, by the amount of citric acid. April 4, 2010. Material Info Update - Fabriano Artistico papers: After a number of months of testing, I am convinced that Fab Art paper has been changed. I started out with Fab Art X-white HP paper four years ago and have coated just about every variety of emulsion imaginable on it. As ugly as some emulsions have been, one thing I felt confident in saying was that they were bullet-proof — no bubbling, frilling or lifting. That changed about four months ago. I started getting tiny bubbles of lifting emulsion during washing. I originally thought that one of my ingredients had gone old, but after replacing all of them, one by one, I did a whole range of paper samples again. With any given run of emulsion, only the Fabriano Artistico papers develop bubbles. I love Fab Art paper, so I pushed through for a work-around solution. Bubbles are eliminated, or at the least greatly reduced if I use hardening fixer and follow with a 'speed wash' protocol (short pre-wash, archival washing aid, shortened final wash, squeegee, dry). |
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